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第一段
1 .Joe, you know I'm giving a presentation in our film studies class next week?
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第二段
1 .Yes.
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第三段
1 .Well, could we discuss it?
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2 .I could do with getting someone else's opinion.
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第四段
1 .Of course，Katie.
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2 .What are you going to talk about?
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第五段
1 .It's about film adaptations of Shakespeare's plays.
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2 .I've got very interested in all the different approaches that film directors take.
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第六段
1 .Uhuh.
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第七段
1 .So I thought I'd start with Giannetti,
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2 .who's a professor of film and literature,
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3 .and in one of his books he came up with a straightforward classification of film adaptations based on how faithful they are to the original plays and novels.
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第八段
1 .Right.
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第九段
1 .I've already made some notes on that,
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2 .so I just need to sort those out before the presentation.
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3 .I thought that next I'd ask the class to come up with the worst examples of Shakespeare adaptations that they've seen, and to say why.
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4 .That should be more fun than having their favourite versions.
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第十段
1 .Yes,I can certainly think of a couple!
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第十一段
1 .Right. Next I want to talk about Rachel Malchow.
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2 .I came across something on the internet about her work on film adaptations,
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3 .and I was thinking of showing some film clips to illustrate her ideas.
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第十二段
1 .Will you have enough time, though?
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2 .Both to prepare and during the presentation?
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3 .After all, I doubt if you'll be able to find all the clips you want.
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第十三段
1 .Hmm. Perhaps you're right.
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2 .OK, well, I'd better do some slides instead,
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3 .saying how various films relate to what she says.
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4 .That should encourage discussion.
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第十四段
1 .Mmm.
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第十五段
1 .Next I want to say something about how plays may be chosen for adaptation because They're concerned with issues of the time when the film is made.
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第十六段
1 .You mean things like patriotism, or the role of governments?
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第十七段
1 .Exactly.
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2 .It's quite tricky,
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3 .but I've got a few ideas I'd like to discuss.
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第一段
1 .And finally I want to talk about a few adaptations that I think illustrate a range of approaches,
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2 .and make some comments on them.
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3 .Do you know the Japanese film Ran?
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第二段
1 .I haven't seen it.
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2 .It was based on Shakespeare's King Lear, wasn't it?
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第三段
1 .That's right. It was a very loose adaptation,
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2 .using the same situation and story.
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3 .But moving it to 16th century Japan instead of 16th century Britain.
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4 .So for example the king's daughters become sons,
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5 .because in Japanese culture at that time,
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6 .women couldn't succeed to the throne.
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第四段
1 .OK. I hope you're going to talk about the 1993 film of Much Ado About Nothing.
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2 .I think that's one of the best Shakespeare films.
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3 .It really brings the play to life, doesn't it?
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第五段
1 .Yes, I agree.
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2 .And I think filming it in ltaly,
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3 .where the play is set,
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4 .makes you see what life was like at the time of the play.
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第六段
1 .Absolutely.
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2 .Right, what's next?
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第七段
1 .Er, next, I thought Romeo & Juliet. the 1996 film,
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2 .which moves the action into the present day.
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第八段
1 .Yes,it worked really well, I thought - changing the two feuding families in the original to two competing business empires,
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2 .even though they're speaking in the English of the original play.
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第九段
1 .You'd expect it would sound really bizarre,
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2 .but I found I soon got used to it.
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第十段
1 .Me too.
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第十一段
1 .Then I thought I'd include a real Hollywood film,
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2 .one that's intended to appeal to a mass commercial audience.
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第十二段
1 .There must be quite a number of those.
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第十三段
1 .Yes, but I've picked the 1996 film of Hamlet.
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2 .It included every line of the text,
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3 .But it's more like a typical action hero movie - there are loads of special effects, but no unifying interpretation of the play.
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第十四段
1 .All show and no substance.
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第十五段
1 .Exactly.
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2 .Then there's Prospero's Books, based on The Tempest.
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3 .That was really innovative, from a stylistic point of view.
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第十六段
1 .Didn't it include dance and singing and animation, as well as live actors?
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第十七段
1 .Yes it did.
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2 .I also want to mention Looking for Richard.
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3 .Did you ever see it?
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第十八段
1 .No. but I've read about it.
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2 .It was a blend of a documentary with a few scenes from Richard Ill. wasn't it?
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第一十九段
1 .That's right.
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2 .It's more a way of looking into how people nowadays connect with the playwright - the play is really just the starting point.
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3 .And that'll be where I finish.
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第二十段
1 .Well, it sounds as though it'll be very interesting.
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